(Nick Ahad’s article appeared in the Guardian, 9/30; Photo:  Hi-tech horror … Riana Duce as Mina Harker. Photograph: Ed Waring.)

Leeds Playhouse
For a tale of the undead, Imitating the Dog’s inventive blend of live theatre and tech is bursting with life

Having tackled zombies in its most recent production, Night of the Living Dead – Remix, the Leeds company Imitating the Dog now takes on Dracula. The smart money would be on Frankenstein next to complete a diabolical trilogy.

For a show about the undead, this is bursting with life: theatre as intensely popular culture, with influences from movies such as Sin City, graphic novels including Watchmen and Constantine, and a sensibility heavily redolent of the Cumberbatch Sherlock.

The company, made up of co-artistic directors Andrew Quick, Pete Brooks and Simon Wainwright, has always pushed the boundaries of technology and theatre. Here the blend of live performance and digital is perfect. In their version of Night of the Living Dead, the balance was out of whack, the tech getting in the way of the show. In Dracula: The Untold Story, a co-production with Leeds Playhouse, equilibrium is achieved.

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