(Charles McNulty’s article appeared in the Lost Angeles Times, 9/9; Petrina Bromley, from left, Emily Walton, Jenn Colella, Sharon Wheatley, Astrid Van Wieren and Q. Smith in the musical “Come From Away.” (Sarah Shatz / Apple TV+)

On the 20th anniversary of 9/11, as the world confronts another zeitgeist-defining emergency, it’s good to be reminded of simple human kindness, the kind of charity too modest for fanfare, something as basic yet profound as a stranger bearing a blanket or plate of food in an hour of need.

“Come From Away,” the 2017 Broadway musical with a heartwarming story set in the immediate aftermath of that September day, follows the advice that young Fred Rogers received from his mother when frightened by events in the news: “Look for the helpers. You will always find people who are helping.”

Written by Irene Sankoff and David Hein, this lovably hokey show, which has been successfully recorded on film, is available for streaming on Apple TV+ starting Sept. 10. It turns out that the screen provides a surprisingly hospitable frame for a musical that is quite purely and unabashedly — at times even downright earnestly — a work of theater.

The staging, which earned Christopher Ashley a Tony Award, retains its gallop even on a laptop. Despite my slight fatigue with a musical that has tenaciously hung around longer than I would have expected, I was stirred once again by a real-life 9/11 tale that takes place far away from ground zero, the Pentagon and the field in Pennsylvania where brave passengers brought the final hijacked plane down.

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