The words and wisdom of Constantin Stanislavski:

[It was in our production of Cricket on the Hearth, based on Dickens], perhaps, that there sounded for the first time those deep and heartfelt tones of superconscious feeling in the measure and the form in which I dreamed of them at that time, and which did not find place in the large and uncomfortable auditorium of a regular theatre where the actors were forced to raise and strain their voices and to stress their acting theatrically. The spectator did not know the true reasons, nor our ingenuity which gave him a feeling of and nearness with the actors, and credited the whole result to the actors themselves. The scenery and properties were of the simplest, without any unnecessary details. (MLIA)

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