|(Via Michelle Tabnick Public Relations)
Spring 2021 Production Season
With Four Commissioned Puppetry Premieres
In-Person and Online
|Dixon Place announces its Spring 2021 Production Season, premiering four commissioned puppetry productions performed for in-person and virtual audiences, with video on demand (VOD) streaming available immediately following the live premieres. In-person performances will take place at 161A Chrystie Street, New York, NY. Tickets are $10.50-$35 and can be purchased online here. (dixonplace.org/productions-2021/).
MINE by Shayna Strype
April 21, 22, 23, 24, 2021 at 7:30pm EST (Live performances, live stream only)
Available to stream through May 4, 2021
A mountain, mined of her insides, collapses into rubble. Near the wreckage, a marriage ends and the home grieves the loss of the family it once housed. Underground, a groundhog hoards an enormous collection of the family’s discarded sentimental items. As the Rubble, the Home, and the Groundhog attempt to reassemble the remnants of their crumbled histories, their worlds begin to merge and intertwine. Mine uses a variety of puppetry styles, live-feed projections, stop-motion animation, wearable sculptures, and humor to weave together themes of nostalgia, excess, and the destructive human urge to colonize land, bodies, and minds. Approx. run time: 55 minutes. Rated E for Everyone.
Unicorn Afterlife by Justin Perkins
May 5, 6, 7, 8, 2021 at 7:30pm EST (Live performances with limited in-person audiences)
Available to stream through May 18, 2021
A Unicorn, a beast of pure goodness and light, wakes in a black void and discovers, horrified, that it’s dead; but in the hands of a team of puppeteers, it lives again and looks for a way to escape its past, and maybe escape its future too. Unicorn Afterlife is a grimy, synthesizer dream ballet about fantasy, greed, gender, glitter and the power of belief, designed and directed by Justin Perkins. Approx. run time: 60 minutes. Rated E for Everyone.
NEW MONY! by Maria Camia
May 19, 20, 21, 22, 2021 at 7:30pm EST (Live performances with limited in-person audiences)
Available to stream through June 1, 2021
Step into the colorful, comical, spiritual, sci-fi, psychedelic world of Aricama where we explore duality and ancestry with puppets, body costumes, Toy Theater, original live music, and projections in this full-length workshop production. In the human cloning family business, Allimah lives a quiet, regimented life with her parents on a tiny blue planet. But after experimenting with life, she recovers in a hospital. Slowly, her dreams become reality as she finds herself related to the prestigious Utopian planet Aricama, the land of practice, play, and healing. Will she be able to live a normal life after aligning with her truth? Join Allimah in her most groundbreaking awakening yet! Approx. run time: 65 minutes. Rated PG.
Bill’s 44th by Andy Manjuck & Dorothy James
June 2, 3, 4, 5, 2021 at 7:30pm EST (Live performances with limited in-person audiences)
Available to stream through June 15, 2021
The streamers are hung, the punch has been spiked, and the cake is just begging to be eaten! Now all Bill has to do is wait for his guests to arrive. But waiting is hard. Bill’s 44th is an original comedic show that brings two puppeteers together to create one (very worried) protagonist. Many styles of puppetry, raucous balloons, and a cheeky piece of crudité all collide to examine the pitfalls of impatience and the wonder of loneliness. Approx. run time: 55 minutes. Rated PG.
These Dixon Place Commissioned Productions are made possible with private support from the Andrew W. Mellon Foundation, Howard Gilman Foundation, Cheryl Henson & the Jim Henson Foundation, Jerome Foundation, Scherman Foundation, and Shubert Foundation; and public funds from the NYC Department of Cultural Affairs with the City Council, and the NY State Council on the Arts w/the support of Governor Andrew Cuomo and the NY State Legislature.
About the Artists
Shayna Strype is a theater, film, and puppetry artist based in Brooklyn. Her latest film, Our Mine, was commissioned by Heather Henson and Handmade Puppet Dreams. Her short film Pink Fluffy Hope was awarded Best NY Film in the LA Puppetry Guild’s 48 hour Film Festival in 2020. In 2019, she was Director of Puppetry for Pig Iron Theater Company and Mimi Lien’s Superterranean. Shayna was an Artist in Residence at the Object Movement Puppetry Festival in 2018 where she created a multimedia puppetry piece called Antrak. She has an MFA at Sarah Lawrence College. For more on Shayna, visit shaynastrype.com, follow her on Instagram @woosieparty, or check her out on Facebook here.
Justin Perkins has appeared in works by Ping Chong + Company, Basil Twist, Jeanette Oi-Suk Yew, Tom Lee, Lake Simons, Patti Bradshaw, Puppet Cinema, Unitards, imnotlost, and more. Justin’s works have been presented at NYC venues including Dixon Place, 14th St Y, Center at West Park, Jim Henson Carriage House, and FlameCon. Justin is a curator at Object Movement Puppetry Festival, a residency program for puppet artists; and the Director of Programs at New Country Day Camp. For more on Justin and Unicorn Afterlife, follow them on Instagram @itsjustmejustinp and @unicorn_afterlife.
Maria Camia is a visual theatre artist who creates spiritual/sci-fi plays, puppets, spiritual clothing, illustration, comics, and social media videos with the intention to globally inspire healing and play. Maria performed original work for La Mama, 7 Daughters of Eve’s Church Service, FEAST, Great Small Works, Dixon Place, The Center @ West Park’s Object Movement, and Pan Asian Repertory Theatre. She is a 2020 Jim Henson Workshop Grant Recipient and a participant in DP’s Puppetry Residency Program, both in support of her first full length puppetry production New Mony! premiering May 2021. For more on Maria, visit maricama.com or follow her on Instagram @themaricama.
Andy Manjuck is a Brooklyn-based puppeteer, director, and voiceover artist. Recent work: Puppetry: Chimpanzee (Nick Lehane); The Plastic Bag Store; The Pigeoning (Robin Frohardt); Made in China; Baby Universe; Saga (Wakka Wakka); UAE 48th National Day (Betty Productions); Petrushka (NY Philharmonic Orchestra, Giants Are Small), VO: Adam Ruins Everything (TruTV); Unavowed (Wadjet Eye Games); Whispers of a Machine (Clifftop Games); MooseTube (GoNoodle). Bill’s 44th, co-created with Dorothy James, was developed with Puppet Lab at St. Ann’s Warehouse, the New York State Puppet Festival, and Dixon Place, with support from the Jim Henson Foundation. Saturday nights, Andy is an intern on the Late Night Puppet Talk Show with Special Guest, a 100% live, 100% improvised puppet catastrophe on Saturday nights at 10pm on twitch.tv/talkpuppet2me. For more info, visit www.andymanjuck.com or @andymanjuck on Instagram.
Dorothy James is a Brooklyn-based puppeteer, educator, and maker of tiny things. She’s performed with Basil Twist (Hansel & Gretel, Michigan Opera Theatre), Wakka Wakka (Made In China, The Immortal Jellyfish Girl), the Columbus Symphony Orchestra (Petrushka, Giants Are Small), the Rockettes (The New York Spectacular, Radio City), and puppeteers for the new BBC children’s series Moon and Me. Her work has been seen at the Kennedy Center, Arena Stage, Jim Henson Carriage House, St. Ann’s Warehouse, 59E59, Dixon Place, La MaMa, and overseas in Norway and the Czech Republic. Dorothy is a co-creator of Bill’s 44th, for which they received a Jim Henson Foundation Grant; and is co-creator/intern of the Late Night Puppet Talk Show With Special Guest, a 100% live, 100% improvised puppet catastrophe on twitch.tv/talkpuppet2me. More info: dorothy-james.com and Instagram @instadeej.
About Dixon Place
An artistic incubator since 1986, Dixon Place (DP) is non-profit institution committed to supporting the creative process by presenting original works of theater, dance, music, puppetry, circus arts, literature and visual art. Presenting over 1000 creators a year, this local haven inspires and encourages diverse artists of all stripes and callings to take risks, generate new ideas, and consummate new practices. The artist’s experience is given top priority through our professional atmosphere and remuneration, and their process is enhanced by our adventurous audiences. With a renewed commitment to racial equity and justice, Dixon Place is a local haven for creativity as well as an international model for the open exploration of the creative process.
After spawning DP in 1985 as a salon in Paris, Ellie Covan pioneered the organization in her NYC living room for 23 years. Organic development and expansion, DP is now a leading professional, state-of-the-art facility that remains at the heart of the NYC experimental performance scene. In compliance with Covid19 restrictions, DP’s live programs were suspended March 13, 2020. Deeply committed to artists and patrons, DP began presenting virtual literary, dance, & theater programs on DP TV in April ’20. The theater is reopening in May 2021 for in-person performances.
For service to the community, DP has received a NY Dance & Performance Award (a Bessie), two Obies, a BAXten Award, the NY Innovation Theater Foundation’s Stewardship Award, CUNY’s Edwin Booth Award, and the Alliance of NY State Arts Organization’s Celebrate the Arts Award for outstanding contributions to NYC.
Many artists, such as Deb Margolin, Blue Man Group, John Leguizamo, Lisa Kron, David Cale, Penny Arcade, and Reno began their careers at Dixon Place. Over the years, DP has also been privileged to present performances by established artists, such as: Justin Vivian Bond, Taylor Mac, Lily Tomlin, Wallace Shawn, Craig Lucas, BD Wong, James Lecesne, John Fleck, Kate Bornstein, Ethyl Eichelberger, Holly Hughes, Karen Finley, Kate Clinton, Peggy Shaw, Mac Wellman, Big Art Group; A.M. Homes, Rick Moody, and Oscar Huelos; Mark Dendy, Jane Comfort, Sarah Michelson, Douglas Dunn, Paul Taylor 2, and Yoshiko Chuma; Vernon Reid, Diamanda Galas, Martha Wainwright, Lucy Wainwright Roche, Suzy Roche, Maggie Roche, and They Might Be Giants.
For more information, visit dixonplace.org.