(Via John Wyszniewski, Everyman Agency)

The Ars Nova Forever Telethon Features Over 100 Artists with Hosts Freestyle Love Supreme, Ashley Park, Lilli Cooper, Dave Malloy, John Early, Rachel Chavkin, Sakina Jaffrey, Jason Tam, Isaac Oliver, The Story Pirates, Larry Owens, and Natalie Walker

Ars Nova, under the leadership of Founding Artistic Director Jason Eagan and Managing Director Renee Blinkwolt, announces The Ars Nova Forever Telethon, a 24 hour livestream featuring over 100 artists celebrating Ars Nova’s past and present while raising funds to propel the organization into its future. The online event will begin at 6pm EDT on June 12 and run non-stop until 6pm EDT on June 13 at https://arsnovanyc.com/telethon.

Taking inspiration from classic TV marathons, The Ars Nova Forever Telethon will feature segments spotlighting some of Ars Nova’s most beloved shows, artists, and alums. Hosts include Rachel ChavkinLilli Cooper, John EarlyFreestyle Love SupremeSakina JaffreyDave MalloyIsaac OliverLarry OwensAshley Park, The Story PiratesJason Tam, and Natalie Walker. Highlights include deep dives into the worlds of KPOP and Natasha, Pierre & The Great Comet of 1812; a special edition of Showgasm, Ars Nova’s signature variety-show-meets-party; the world premiere of Isaac Oliver’s Lonely Quarantine; a late-night dance party; a kid-friendly Saturday morning special; and more.

Additional guests and performances to be announced soon with a full schedule to be released on June 9.

Ars Nova’s Founding Artistic Director Jason Eagan commented, “When Ars Nova made the big commitment back in March to keep paying our artists and staff throughout this necessary closure, we knew it would take an even bigger idea to pull it off. We’ve been missing our community so much while working from home, so when the slightly insane idea for a 24 hour telethon arose, we all perked up, as it seems like the perfect way to connect with a slew of our artists and audiences all at once – and we’ve always loved a challenge! New York City needs culture to thrive so we hope folks will rally around this campaign and make sure Ars Nova can flourish into the future.”

The Ars Nova Forever Telethon is the marquee event of the recently launched #ArsNovaForever Campaign to provide a foundation for Ars Nova’s bright future, and fuel the company’s recovery after the cancellation of the remainder of its 2019-20 season due to the coronavirus pandemic, during which it committed to pay all artists, staff, and hourly workers. The #ArsNovaForever Campaign aims to raise $685,000 before the end of its fiscal year on June 30, 2020, of which they have secured $395,000. The upcoming 24-hour Ars Nova Forever Telethon is the centerpiece of the campaign and Ars Nova’s most ambitious benefit to date.

Please visit https://arsnovanyc.com/telethon for more information.

About Ars Nova

Ars Nova exists to discover, develop, and launch singular theater, music and comedy artists in the early stages of their professional careers. Our dynamic slate of programs supports outside-the-box thinking and encourages innovative, genre-bending work. Dubbed by The New York Times as a “fertile incubator of offbeat theater,” Ars Nova blurs genres and subverts the status quo. With our feverish bounty of programming, we are the stomping ground and launching pad for visionary, adventurous artists of all stripes. By providing a protective environment where risk-taking and collaboration are paramount, Ars Nova gives voice to a new generation of diverse artists and audiences, pushing the boundaries of live entertainment by nurturing creative ideas into smart, surprising new work.

Ars Nova has been honored with an Obie Award and a Special Citation from the New York Drama Critics’ Circle for sustained quality and commitment to the development and production of new work. Notable past productions include: The New York Times critic’s pick Dr. Ride’s American Beach House by Liza Birkenmeier, directed by Katie Brook; “Outstanding Musical” Lortel Award-winner and The New York Times’ “Best of 2018,” Rags Parkland Sings the Songs of the Future, created by Andrew R. Butler and directed by Jordan Fein; “Outstanding Musical” Lortel Award-winner KPOP, created by Jason Kim, Max Vernon, Helen Park, and Woodshed Collective, directed by Teddy Bergman; “Best New American Theatre Work,” Obie Award-winner and “one of the best new plays in the last 25 years” (The New York Times), Underground Railroad Game by Jennifer Kidwell and Scott R. Sheppard with Lightning Rod Special, directed by Taibi Magar (now on international tour); “Outstanding Musical” Lortel Award-winner FUTURITY, by César Alvarez with The Lisps, directed by Sarah Benson; The New York Times’ and New York Post’s “Best of 2015,” Small Mouth Sounds by Bess Wohl, directed by Rachel Chavkin; Time Out New York’s “Best of 2014,” JACUZZI by The Debate Society, directed by Oliver Butler; the Tony Award-winning smash-hit Natasha, Pierre & The Great Comet of 1812 by Dave Malloy, directed by Rachel Chavkin; Jollyship the Whiz-Bang by Nick Jones and Raja Azar, directed by Sam Gold; the world premiere of the 2009 season’s most-produced play boom by Peter Sinn Nachtrieb, directed by Alex Timbers; the show that put Bridget Everett on the map, At Least It’s Pink by Everett, Michael Patrick King, and Kenny Mellman, directed by King; and Lin-Manuel Miranda and Thomas Kail’s first New York production, Freestyle Love Supreme by Anthony Veneziale and Miranda, directed by Thomas Kail (Broadway 2019).

 

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