(Brian Schaefer’s article appeared on Bloomberg, 2/13.)
Van Hove realized that the issues bubbling up in the campaign—racism, immigration, issues of integration, tribal loyalty—were all in a certain 1957 musical, van Hove realized. “I thought: Well, West Side Story talked about this in a very accessible way,” he says. “With great music.” After directing a string of critically acclaimed reinterpretations of American classics, including A View from the Bridge and A Streetcar Named Desire, among others, he decided the Shakespearean story of star-crossed lovers in midcentury New York would come next.
One presidential election cycle later, van Hove’s West Side Story will open on Feb. 20 at the Broadway Theatre in a production that feels as urgent as its themes, thanks to a slimmed one-act structure and video projections that leave the vast stage bare for hurricanes of dancers to blow through. (The production will precede Steven Spielberg’s big-screen remake of the 1961 Academy Award-winning film adaptation, due in December.) Six decades after its debut, it seems West Side Story is again the story of our time.
Reinventing a Treasure