(Peter Crawley’s article appeared in The Irish Times, 6/25.)
Thought-provoking theatre where the audience is just you
Review: Theatre for One’s six microplays are bracing, intimate-as-a-whisper performances
THEATRE FOR ONE
Outside Cork Opera House
Annie Ryan of Corn Exchange once described her Car Show, which played to no more than three passengers at a time back in the late 1990s and early 2000s, as “the best show you never saw”. Now, conspiring to populate Octopus Theatricals’ tiny collapsible venue with microplays from the nation’s finest writers and performers, Landmark Productions has a new claim to that title. The only thing these bracing, thought-provoking and intimate-as-a-whisper five-minute, one-on-one performances can’t satisfy is demand.
The structure that greets you outside Cork Opera House (which is presenting the show with Cork Midsummer Festival) is something between a giant gig case and a magician’s box. That seems appropriate. Srda Vasiljevic and Eoghan Carrick, their directors, make the plays feel as immediate as a song, revealing and then concealing their performers, as a kind of conjuring act. Now you see them. Now you don’t.
In that blink of intensity neither the playwrights, the actors nor the audience ever seemed so electrically aware of each other or, for that matter, themselves.
Photos: Irish Times