By Bob Shuman
Eclipses Group Theatre New York (EGTNY), a nonprofit that “serves as a cultural bridge between Greece and The United States,” is presenting Hercules: In Search of a Hero, inspired by Euipides’ Alcestis and Hercules until February 10 at Abrons Arts Center. The evening offers singing, dancing, film sequences, and two plays, by the “the most tragic of all poets,” translated by Demetri Bonaros, edited, and spliced together. The texts present Hercules as he, first, makes the decision to bring back Alcestis from Hades (she has sacrificed herself for her husband) and, second, as the demigod inadvertently kills his own family, which may remind of The Bacchae. But is the audience meant to interpret the latter act as retribution for the former?
As a cultural project for Greek artists, as well as others, Hercules appears a worthy locus for investigation and experiment, but talking beyond the community, to a larger audience, without the knowledge base of the company, viewers need ballast to stay centered in a cold theatre, in winter. According to director, Ioanna Katsarous, Hercules: In Search of a Hero is asking what heroism is in our times: “Is an act heroic if it involves violence? Where is the place of women in the modern mythology of heroism, and do we need to create new mythologies and eventually a new concept of the world?” These inquiries may or may not be critical to considering Euripides, but would many actually reject the idea that women display acts of heroism? Was not Athena a warrior Goddess? Sometimes revisionism can seem only a caterpillar sentenced for not being a butterfly. Purely from a nonacademic, nonfeminist standpoint, though, the evening’s clarity, linearity, and meaning are what are at stake: we are in the past and present, as well as in the worlds of two plays. Aristotle would probably look at this piece and say that unity is lacking. What’s a quick fix for that? Study the ancient Greeks.
‘HERCULES: IN SEARCH OF A HERO’
The cast includes Luisa Alarcón (Lonely Leela at HERE), Demetri Bonaros (The Caucasian Chalk Circle at Theatre at 45 Bleecker), Luke Couzens (Macbeth at Stages on the Sound), Helena Farhi (what she found at Frigid Festival), Alexandra Skendrou (Carnegie Hall, Bruno Walter Auditorium) and Taj Sood.
The production team includes Christos Alexandridis (Set Design), Christina Watanabe (Lighting Design), Marina Gkoumla (Costume Design), Alex Agisilaou (Video Design), Ioanna Katsarou (Dramaturge) and Anastasia Thanasoula (Production Stage Manager).
Performances are Thursdays – Saturdays at 7:30pm and Sundays at 2:30pm with an added show on Sunday, January 27 at 6pm. Tickets are $25 and $20 (students and seniors). Purchase at http://www.AbronsArtsCenter.org or by calling 212-598-0400. The running time is 75 minutes. For more info visit https://www.egtny.com, Like them on Facebook at /egtny (https://www.facebook.com/egtny), and follow on Twitter (https://twitter.com/EclipsesGTNY) and Instagram (https://www.instagram.com/eclipsesgtny) at @eclipsesgtny.
Photos by Selim Cayligil: Luke Couzens as Hercules.
Press: David Gibbs | DARR Publicity
© by Bob Shuman. All rights reserved.