(Ben Brantley’s article appeared in The New York Times, 2/12; via Pam Green.)
Tennessee Williams’s most reliable instrument of release — and torture — glows impiously in the hushed white gallery of the Morgan Library & Museum, like a neon sign in a church.
It is only a manual typewriter, one of the many that did hard labor under the fingers of this great American playwright, who is the subject of “Tennessee Williams: No Refuge but Writing,” a profoundly affecting new exhibition of manuscripts and memorabilia.
But the color of this sleek machine, an Olivetti Lettera 32, belies its utilitarian function. How to describe this particular shade of blue? To call it aqua or teal seems too pedestrian for the man under consideration here. Williams (1911-1983) delighted in finding names for blues — chromatic, spiritual, emotional.
(Photo: The New York Times)