(Laura Collins-Hughes’s article appeared in the New York Times, July 19; via Pam Green.)

By late afternoon, the weather was still sweltering, but in balmier conditions the playwright Tina Howe would have been hanging out a window of her 10th-story apartment on West End Avenue, shooting photos of the neighbors on their roof decks far below.

So she said the other day, and it was easy to envision. Dreamily thoughtful, with an angular, blue-blooded elegance, Ms. Howe at 79 has a disarming liveliness of spirit.

“I sort of want to set my next play on one of these decks, on Midsummer Night’s Eve,” she said, explaining that it would be “about a group of old people getting together and whooping it up. Because nobody does that. Dear Beckett has written about old age, but never a woman.”

This is the phase of life that Ms. Howe has reached: where an appalling number of sweet strangers offer her their seats on the subway, and where she sticks close to home because her 81-year-old husband, Norman Levy, has Alzheimer’s disease.

It is a phase of life that Ms. Howe is writing about in her new play, “Singing Beach.” Directed by Ari Laura Kreith in a production by Theater 167, it starts previews on Saturday, July 22, at Here Arts Center.

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Photo: The New York Times


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