(Laura Collins-Hughes’s article appeared in The New York Time, 2/16; via Pam Green.)

When Thornton Wilder’s “The Skin of Our Teeth” had its Broadway premiere in 1942, directed by Elia Kazan and starring a dream cast led by Tallulah Bankhead and Fredric March, the critic Brooks Atkinson of The New York Times called it “one of the wisest and friskiest comedies written in a long time.” When it returned in 1955, with Helen Hayes and Mary Martin, Mr. Atkinson deemed it simply “perfect.”

After that, though, the play’s fortunes fell. On its third and most recent Broadway outing, José Quintero’s 1975 revival starring Elizabeth Ashley, the Times critic Mel Gussow dismissed it as “simplistic.” Boundary-breaking in its day, it has long been scarce on professional stages.

So Arin Arbus’s new Off Broadway production for Theater for a New Audience, in previews at the Polonsky Shakespeare Center in Brooklyn, is a rare chance for re-evaluation. With a cast of 35 (!) and original music by César Alvarez (“Futurity”), it follows the members of the Antrobus family of suburban New Jersey through the ice age in Act I (their pets are a mammoth and a dinosaur; freezing refugees clamor at the door) and into a great flood in Act II. The third act opens amid the ruins of a war. With each calamity, the Antrobuses have to figure out whether and how to survive.

(Read more)

https://www.nytimes.com/2017/02/16/theater/the-skin-of-our-teeth-thornton-wilder-trump.html

Photo: The New York Times.

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