(Mary Leland’s article appeared in the Irish Times, 7/27.)

Choreographer and creator Alan Kenefick’s experiment aims to bridge the genre-gap between, for example, Michael Jackson and traditional Irish dance. It’s this revolutionary thesis that energises the Opera House production.

When choreography has to carry a philosophical message the weight can become too heavy to bear, and in political terms, Prodijig comes close to sinking. Jettison that lode though and, on the physical evidence, no burden is too cumbersome for the troupe gathered here in an ensemble of miraculous stamina.


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