(Ben Brantley’s article appeared in The New York Times, 7/11; via Pam Green.)

The Aaron Burr of the musical “Hamilton” — who stews over being shut out of pivotal closed-door conferences — isn’t the only person who wants to be in the room where it happens. It’s hard not to envy the witnesses to history in the making and to imagine attending conferences, Zelig-like, in Versailles, Vienna or Potsdam.

J. T. Rogers shares that instinct. Unlike most of you, he has acted on it. Having combined investigative zeal and theatrical imagination with insider access, Mr. Rogers now invites you into the chambers where the Oslo Accords between Israel and the Palestine Liberation Organization were forged during nine fraught months in 1993.

Even if you never thought about traveling to Norway, you’ll probably want to visit the inevitably titled “Oslo,” the absorbing drama by Mr. Rogers that opened on Monday night at the Mitzi E. Newhouse Theater at Lincoln Center. At a very full three hours, with many international stops, this play is long and dense enough to make you wonder if you should have packed an overnight bag.


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