(Lyn Gardner’s article appeared in the Guardian, 1/13.)
“There has been a shift of opinion against playwriting, in favour of collective methods of theatre. The very activity of playwriting has been attacked as individualistic, undemocratic and even immoral,” declared playwright David Edgar when it was announced that he would be this year’s visiting professor in drama studies at Oxford and giving lectures and hosting discussions in February.
Blimey! Edgar talks of an “anti-writer trend”. That sounds serious and worrying. I’d like to think that he was being a little tongue in cheek because, after all, he also pointed out that “for the first time in at least 100 years, new work has overtaken the old work in the repertoire”, which can surely only be a good thing for writers of all kinds. Then there’s the roll call of people he’s invited to take part in discussions over the week, who include, among others, Bryony Lavery, David Greig and Chris Goode, who definitely all write plays but who often also create work in many different ways via collaboration, and for whom text plays distinct roles in different contexts.