(Ben Brantley’s article appeared 12/12 in The New York Times.)

You can talk all you like about ideals and class resentment and visions of the future. But the ingredient most essential to getting a revolution off the ground is energy, the kind that incinerates as it moves. And the place you’ll find the highest concentration of that precious entity is in the restless bodies of the young.

Judged by these criteria, the Motus Theater Company of Italy is the most truly revolutionary troupe in town. Seen to scorching effect in 2012 with “Alexis. A Greek Tragedy,” which translated the rage of Sophocles’ defiant Antigone into the 21st century, Motus is now channeling the pent-up lifeblood of two slaves out of Shakespeare’s “The Tempest,” chafing at their bondage to an imperial magician named Prospero


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