(Chris Jones’s article appeared in the Chicago Tribune, 3/22.)

Even for fans for such prior endeavors as "The Bomb-itty of Errors" and "Funk it Up About Nothin'," a hip-hop version of "Othello" sounded like a stretch for the Q Brothers, that bizarre pair of theatrically inclined Caucasian rappers, born and raised in Chicago.

It's one thing to rap your way through a comedy, entirely another to take on William Shakespeare's most personal tragedy. Remixed or not, "Othello" is a tricky beast of a play revolving around sexual betrayal — with a heavy undercurrent of racial complexity. The whole notion sounded absurd. What was this going to be? "Yo, Desdemona, I'm gonna kill ya?"

Would there be a DJ spinning through suffocation? Was Desdie going to rap as her light was put out?


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