(Tim Walker’s article appeared in the Telegraph, 10/12.)

The curtain rises on Cabaret to reveal the German word for welcome arranged over three lines in a gigantic Bauhaus typeface: Will-kom-men.

Given that this production represents Will Young’s stage comeback, it is a clever conceit, but, of course, it commits the producers to keeping the Pop Idol winner as Emcee for the duration of the run, or at least until such time as they can find another actor called Will.

His is a difficult part to get right, and, at the outset, I have to say I had rather assumed that it wouldn’t be too long before they would have to start hunting for a good Will. Young’s stage debut as Nicky Lancaster in The Vortex at the Royal Exchange Theatre in Manchester had not, after all, been portentous: the young man conveyed the lines well enough, but precious little of the inner turmoil of the character.


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