(Michael Billington’s article appeared in the Guardian,  4/13.)

I find it strange that one of Harold Pinter's most accessible plays has had to wait 18 years for a major London revival. It deals, after all, with mortality, love, loss and separation: subjects that touch us all. But at least it's now back in a fine-tuned production by Bijan Sheibani which, even though a little short on humour, shows desperate people yearning to make contact across the chasms that divide them.

via www.guardian.co.uk

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