(Michael Billington’s article appeared in the Guardian, 1/21.)

The Almeida has a strong track-record in producing American plays. And it was of one of its favoured sons, Neil LaBute, that I was reminded watching this astute, acerbic and richly funny comedy by Gina Gionfriddo. Like LaBute, Gionfriddo deals with power and manipulation. But what she brings to a familiar dramatic theme is a surprising moral ambiguity.

via www.guardian.co.uk

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