(Michael Billington’s article appeared in the Guardian, 6/17.)

Films rarely make good plays. But there is something about the claustrophobia of Ingmar Bergman's work, as we know from Scenes From A Marriage, that lends itself to adaptation. And Jenny Worton's version of Bergman's Oscar-winning 1961 movie proves to have a strange, haunting theatrical power.

via www.guardian.co.uk

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