(Linney’s article appeared in Bomb, Summer 2002.)
by Romulus Linney
I first met Donald Margulies at Sundance in the 1980s. An early play, What’s Wrong With This Picture?, was workshopped and given a fine reading. It has remained for me a play of great boldness and beauty. I think of it often with affection and some regret, as many of his other plays—all wonderful—achieved the success that theatrical chance denied it. At the same time, I admired this stubborn artists refusal to temper his unique visions. He shook off his setbacks, as you will learn in the following interview, and stuck to his work. His plays are often dark, always mature, and sometimes frightening. He never ever dilutes anything for popular acceptance. He is always pursuing the deeper realities of life—his, yours and mine. A play like The Model Apartment will shake you to the bone, as much as Found a Peanut will delight you, and Sight Unseen will fascinate and confound you. He is a playwright who has earned, the hard way and the right way, his position as one of the very best to emerge in our theater.
Author of many plays and screenplays, Margulies won the Pulitzer Prize last year for Dinner with Friends.
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