(via Pam Green)
I'LL BE SEEING YOU / I'VE GROWN ACCUSTOMED TO HER FACE:
Plus AGONY from ‘Into the Woods’:
(via Pam Green)
Plus AGONY from ‘Into the Woods’:
(Sandy MacDonald’s article appeared in the Boston Globe, 8/1; via Pam Green.)
Meryl Streep had a very busy week, even for her. She gave a shout-out to Hillary Clinton at the Democratic National Convention; inked a contract to appear in “Mary Poppins Returns” — a movie musical from “Hairspray” creators Marc Shaiman and Scott Wittman that will also star Emily Blunt and Lin-Manuel Miranda — and geared up for the Aug. 12 rollout of the biopic “Florence Foster Jenkins.”
Still, there she was Saturday, alongside her former Yale Drama School classmate John Shea at a benefit for the Theatre Workshop of Nantucket. (Surprisingly, it was Streep’s first time on the island.) The handsome Shea, who’s perhaps best known for playing Lex Luthor in the ’90s TV series “Lois & Clark: The New Adventures of Superman,” got his start as a TWN apprentice in 1968 and has remained ever grateful.
Marisa Berenson first realised Stanley Kubrick wasn’t like other directors when he told her to stay out of direct sunlight for six months before filming.
It was the summer of 1972. Berenson was a 25-year-old Vogue cover model who’d spent most of her adult life whistling round the world with a photographer in tow. But she’d also just been cast opposite Ryan O’Neal as the female lead in Barry Lyndon, Kubrick’s long-gestating 18th-century costume drama. And his aim for total historical accuracy extended to the complexions of his cast.
I thought, ‘Oh my God, how am I going to get through the summer?’ ” recalls Berenson, now a regal and radiant 69, in the bar of a London hotel. (She’s appearing as Lady Capulet in Kenneth Branagh’s production of Romeo and Juliet.) “I had a trip planned to St Tropez, and in those days I was always basking on the beach in bikinis.” The solution, as it so often does, involved transparent kaftans.
(Vincent M. Mallozzi’s article appeared in The New York Times, 7/8; via Pam Green.)
Raven McRae, a 22-year-old dancer who was trained as an actress at LaGuardia High School, is the only native New Yorker in the cast of “Paramour,” a Cirque du Soleil musical currently on Broadway. Ms. McRae, who spent much of her childhood on Staten Island, lives there with her mother in an apartment in St. George. On Sundays, she commutes by ferry to Manhattan for two performances. Ms. McRae made her Broadway debut as a dancer two years ago in “Motown: The Musical.”
SHOWER WITH SPOTIFY I wake up at 8 and immediately check my iPhone, which is also my alarm clock, to see if stage management left any message regarding schedule changes. I need to catch a 9 o’clock boat into Manhattan, so I run into the shower and use Spotify on my phone to listen to Kendrick Lamar, who I love. I time my shower to the length of two Kendrick songs. I don’t consider him a rapper; I consider him a poet and an artist. He sings so passionately and doesn’t hold anything back, and that puts me in a good mood and inspires me to give 100 percent of myself on stage. Then I’m running out the door without eating breakfast because for me, chewing is just too much work that early in the morning.
Stephen Sondheim's Follies starring Alexis Smith, Dorothy Collins, Gene Nelson, John McMartin, Yvonne De Carlo, Ethel Shutta, Fifi D'Orsay and Mary McCarty. This is a reconstruction of what the magic must have been like in the original 1971 production. All the available existing footage was edited together to achieve the most professional result, with different angles, restored image quality, restored colour quality, stabilised images, no jumpy cuts, synchronised audio, etc… If you have any footage which I don't already have (or if it's in better condition), could you please contact me at 1971FolliesFan@mail.com ? Thank you very much for contributing. Songlist: Prologue "Beautiful Girls" "Waiting for the Girls Upstairs" Montage ("Listen to the Rain on the Roof", "Ah, Paris!", "Broadway Baby") "The Road You Didn't Take" Bolero d'Amour "In Buddy's Eyes" "Who's That Woman?" "I'm Still Here" "Too Many Mornings" "The Right Girl" "Could I Leave You?" "Loveland" "You're Gonna Love Tomorrow/Love Will See Us Through" "God-Why-Don't-You-Love-Me Blues" ("Buddy's Blues") "Losing My Mind" "The Story of Lucy and Jessie" "Live, Laugh, Love" "Chaos" Curtain Calls And also many dialogue scenes!
Dark Horse won the World Cinema Documentary category at the Sundance Film Festival 2015. The film is currently being screened in theaters around the US and a non-US format is offered on Amazon. It is beautifully made and is a joy to watch.
Dream Alliance is the name of a flashy chestnut Thoroughbred born in Cefn Fforest, South Wales, who is the subject of an absorbing documentary written and directed by Louise Osmond. London based Ms. Osmond told her producer that she wanted to do a film about a horse, and he gave her the task of doing a documentary about Dream Alliance, or Dream, his stable name. Ms. Osmond says that she relished the assignment. Cefn Fforest is a small town in an area of closed coal mines that had been operating in the 19th and 20th centuries. The mines had a troubled history of strikes, low wages, ill health, and finally closings. Less known, and not in the film, is that as many as 70,000 pit ponies, as well as donkeys and mules, were once stabled underground to haul coal. They only came out once per year for a festival. Reports on their treatment and survival rates vary greatly, with some equines lasting just several years. The four pits that surrounded Cefn Fforest closed between 1977 to 1989, which left the town with very little hope. I have seen mining towns in South Wales and noticed that they are bleak yet atmospheric, with a strange beauty. It is also an area where people feel the effects from hard labor and the lack of appreciation for it.
Listen to Kate Tempest read her novel ‘Monsters and Slimeballs and Showgirls’ at: http://www.bbc.co.uk/programmes/b07byv7l
Kate Tempest was in Australia earlier this month socking it to them at the Sydney writers’ festival with a speech in which she insisted that guilt about racism is just another form of narcissism and that what is urgently required is “empathy, humility, reparation and change”. This week, she can be heard on Radio 4’s Book at Bedtime, reading a shortened version of her novel The Bricks That Built the Houses with such galvanising energy and, on occasion, fierce rapping, that listeners may need a second cup of cocoa to get to sleep.
She is, of course, a distinctive and unique talent. There may never again be someone who has both been nominated for the Mercury music prize and also won the Ted Hughes award for innovation in poetry. This is a writer and performer who has tried her hand at writing plays (Wasted for Paines Plough), pushed the boundaries between performance and gig in the mesmerising Brand New Ancients, and written her debut novel, which is about young people fleeing a drugs deal gone wrong in south-east London.
Helen Mirren as a colonel and the late Alan Rickman as a general star in this espionage military thriller about the moral value of collateral damage caused by targeted drone killing. Tracking terrorists is shown in Nairobi with mini drones that are bugs and birds which are amusing even if deadly. Jeremy Northam sits around the planning table discussing morality and chain of command for decisions about when to strike, and with his talent he could be given more to do. The entire team in different locations is concerned about a child who is located where the drone needs to strike to remove fanatic Muslim terrorists that include a Brit who converted and her Muslim husband from the US. The chain of command gets a good workout asking others to take the blame for possibly killing one child. It just isn’t realistic that the military would be concerned with collateral damage that’s only one child, no matter how appealing. There also isn’t enough action compared to another espionage thriller concerned with the moral issues of ops – The Enemy of the State. Still this is a worthwhile movie because of the actors. – Patty
Trailer here –
© by Patricia N. Saffran. All rights reserved.
(David Gewirtzman’s article appeared on Playbill Online; via Pam Green.)
The following is a list of stage musicals announced to be adapted as films. If you would like to submit any updates, please email@example.com.
BEAUTY AND THE BEAST
• Release Date: March 17, 2017
• Production Company: Mandeville Films, Walt Disney Pictures
• Screenplay: Stephen Chbosky
• Director: Bill Condon
• Cast: Emma Watson, Dan Stevens, Luke Evans, Josh Gad, Audra McDonald, Ian McKellen, Kevin Kline, Emma Thompson
• A live-action adaptation of Alan Menken, Howard Ashman and Linda Woolverton's musical based on the classic fairy tale.
• Latest Update: Live-Action Beauty and the Beast Film Sounds "Spine Tingling" (3/3/2016)
• Production Company: SPEAKproductions
• Screenplay: Cory Krueckeberg
• Director: Tom Gustafson
• Cast: Audra McDonald, Cheyenne Jackson, T.R. Knight, Martha Plimpton, Rumer Willis, Jenna Ushkowitz
• An adaptation of Michael John LaChiusa's musical based on Arthur Schnitzler's La Ronde.
• Latest Update: Audra McDonald Transforms Into "Pop Diva" in First Glimpse of Hello Again Movie (12/23/2015)
• Production Company: CBS Films
• Screenplay: Bert V. Royal
• Director: TBA
• Cast: TBA
• An adaptation of Jason Robert Brown, Dan Elish and Robert Horn's musical about a teenager who moves from New York City to small-town Indiana.
• Latest Update: Teenage Dream! CBS Films Will Bring Jason Robert Brown's 13 to the Big Screen (8/12/2014)