VACLAV HAVEL’S

‘AUDIENCE’

​February 2–19, 2023

Thursday–Saturday at 7PM
Sunday at 2PM

Ellen Stewart Theatre
66 East 4th Street, 2nd floor
New York, NY 10003

Tickets:

Adults: $30
Students/Seniors: $25
First 10 tickets are $10 (limit 2 per person)

Ticket prices are inclusive of all fees.

 

Czechoslovak-American Marionette Theatre returns with Audience by Vaclav Havel, translated and directed by Vit Horejs. The production celebrates Havel’s legacy as The Czech Republic assumed the European Union presidency in the second half of 2022.

The play, a dark comedy of spying in a brewery, is staged with projected closeups of puppets from security cameras in order to suggest surveillance. Featuring live actors and traditional marionettes, the production’s concept is by Vit Horejs and Theresa Linnihan, who will act the piece together. The play reflects on the time when Havel had to work in a brewery as penance for writing critically of the Czechoslovak communist government. He ultimately went from prison to the castle, becoming president of Czechoslovakia.

Vaclav Havel’s Audience (1975) is the first of his partly autobiographical one-act plays known as the “Vanek Trilogy” (followed by Unveiling (1975) and Protest (1978) based on his experience of being subjected to forced work while under constant harassment from government agents. Since the plays were banned in Communist Czechoslovakia, they were performed in people’s living rooms and even recorded on vinyl.

Suitable for ages 12+

 

AUDIENCE by Václav Havel

Translated and Directed by Vít Hořejš
Performed by Vít Hořejš & Theresa Linnihan
Production design: Alan Barnes Netherton
Marionettes: Milos Kasal, Jakub”Kuba” Krejci, Theresa Linnihan
Costumes, Vaněk and Brewmaster puppets: Theresa Linnihan  
Pre-show video: Suzanna Halsey
Producer of GOH: Bonnie Sue Stein/GOH Productions
Presented by: La MaMa in association with GOH Productions and Vaclav Havel Library Foundation

THE CZECHOSLOVAK-AMERICAN MARIONETTE THEATRE (CAMT) is dedicated to the preservation and presentation of traditional and not-so-traditional puppetry. As new immigrants from Prague, we wanted to create a theatre company based on the well-known marionette traditions of Central Europe, where puppetry has a strong and creative history. Since founding the company in 1990, we have created over a dozen original productions and garnered accolades from the press and dedicated audiences.

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