(Sara keating’s article appeared in the Irish Times, 1/13; photo: With an implacable smile, Conroy encourages and supports even the most reluctant of audience members to join her on stage.)
It is hard to imagine anyone not falling for its gentle inclusivity and charm
EVERY BRILLIANT THING
Abbey Theatre on the Peacock Stage
Before the start of Every Brilliant Thing, a soul-stirring play by Duncan Macmillan with Jonny Donahoe, performer Amy Conroy circles the auditorium, greeting the audience and enlisting their assistance. Each audience member is handed a numbered index card with a short statement on it. When the time comes, Conroy entreats us, would we be so kind as to share that statement with the rest of the theatre? Yes, the fundamental thrust of this magically uplifting show about mental health is interactive, but it is hard to imagine anyone not falling for its gentle inclusivity and for Conroy’s easy charm.
Every Brilliant Thing tells the story of a young girl confronted with her mother’s depression (in the original version the child was a boy). Her instinct is to try and cure her mother. With this in mind, she starts curating a list of all the amazing things that the universe has to offer. She starts with simple things (ice-cream, kung-fu films) but as it grows the list encompasses more personal pleasures, including the family’s shared love of music. While her mother seems immune to her daughter’s interventions, the daughter herself is transformed: the list changes how she sees the world, providing her with an emotional literacy and resilience that will eventually save her from her mother’s fate. he similarity seemed to me uncanny