(Arifa Akbar’s article appeared in the Guardian, 6/30; photo: The Guardian.)

Lin-Manuel Miranda’s musical is smart, witty, funky and leaves us reflecting on America’s past and future

Hamilton was hailed as revolutionary theatre in 2015, with its rapping 18th-century statesmen, its funky, feelgood hip-hop and a cast predominantly comprising actors of colour. It went on to conquer Broadway and West End audiences. How does that original Broadway staging fare on the flat screen, streamed by Disney+ in the midst of lockdown?

It spoke to the moment then, and it speaks to us now, say director Thomas Kail and Lin-Manuel Miranda, the creator and star, in their short, socially distanced preamble to this highly anticipated film of the show. “We are all thinking about what it means to be American,” they add. Even if these words are not in direct reference to the America of the past few weeks, with its upsurge of anti-racist protest, their story of the Caribbean-born immigrant hero and founding father of the US, Alexander Hamilton, speaks to us obliquely of all that remains neglected in America’s history while shifting the parameters at the same time.

Its rousing opening scenes remind us of that great American ideal of equality and speaks of slavery and civil rights in the 18th century. “I never thought I’d live past 20. Where I come from, some get half as many,” sings Hamilton at the start, and his words echo the dangerous fate that awaits so many of America’s black or immigrant underclass now, as debate around Black Lives Matter protests has highlighted.

Even more remarkably, it keeps all the power of a live performance while simultaneously adding a filmic pizzazz including some breathtaking aerial shots. There is extraordinary direction – again under Kail – so that the cameras capture the mise en scène of theatre without losing any of the closeup intimacy of film.

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