(Mark Lawson’s article appeared in the Guardian, 9/19.)
Climbing high mountains is often used as a metaphor for other ominously difficult projects. So the experience of presiding, during a recession, over a £25m renovation of the Bristol Old Vic may have led artistic director Tom Morris to reopen the playhouse with David Greig’s adaptation of Touching the Void. Joe Simpson’s 1988 mountaineering memoir details how, when his co-climber Simon Yates was forced to cut their link rope, Simpson crawled, hopped and slid miles back to base-camp with a broken leg.
The book’s existence shows that Simpson must survive, and the events have already been visualised in a popular 2003 documentary. But Morris and Greig fracture this familiarity through a morbid framing device that seems daringly to have rewritten the book and by avoiding the easy option of video design for the Andes mountain.
Photo: Bristol Old Vic