(Ciara L. Murphy’s article appeared in the Irish Times, 3/21.)

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Enda Walsh’s unlikely theatrical adaptation betters the power of the original story

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At first glance, Max Porter’s debut novel Grief is the Thing with Feathers seems an unlikely candidate for theatrical adaption. The book boasts a frantic, pacey, and devastating experience for the reader, an experience which is not easy to echo on stage. Enda Walsh’s work often situates his audiences as meaning-maker in his work, and this, in combination with Complicité’s trademark audio-visual spectacle, ensures the essence of Porter’s story is made manifest on stage.

Grief explores the turbulent and mind-wrenching anguish experienced by Dad (Cillian Murphy) and his two sons (played in rotation by David Evans, Taighen O’ Callaghan, and Felix Warren) after the death of Mum (Hattie Morahan). Careening between careful prose, jarring poetry, and visceral, energetic dialogue, the play sets in motion a scintillating story arc which combines an intense, furious drama and a pervasive, yielding gentleness.

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(Photo: The Irish Times

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