(Laura Collins-Hughes’s article appeared in The New York Times, 52/5; via Pam Green.)

The composer and performer Dave Malloy isn’t the kind of New Yorker who can look at a room and instantly tell you its square footage. How big is his rehearsal studio, on a block of old industrial buildings in Gowanus, Brooklyn? “I’m six foot tall,” Mr. Malloy, 41, said this week, eyeing the dimensions. “So if I lay down twice — it’s probably 13 by 11 or something like that?”

With an upright piano against one wall and a wooden thumb piano hanging from another, this unassuming space strung with festive mini-lights is where he writes — though the flurry of awards season has put that on pause for the past month. “Natasha, Pierre & the Great Comet of 1812,” his immersive stage adaptation of a section of “War and Peace,” is up for 12 Tony Awards, including best musical. His book, score and orchestrations are all nominated.

(Read more)

https://www.nytimes.com/2017/05/25/arts/design/dave-malloy-wrote-the-great-comet-but-hes-not-much-of-a-painter.html

 

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