(Greenblatt’s article appeared in The New York Times, 4/21; via Pam Green.)
HAMLET GLOBE TO GLOBE
Two Years, 190,000 Miles, 197 Countries, One Play
By Dominic Dromgoole
Illustrated. 390 pp. Grove Press. $27.
It began, we are told, as a whim lubricated by strong drink. In 2012 the management of Shakespeare’s Globe — the splendid replica of the Elizabethan open-air playhouse, built on the bankside of the Thames in London — was considering possible eye-catching new initiatives. In the midst of the merry collective buzz, the theater’s artistic director, Dominic Dromgoole, impulsively said, “Let’s take ‘Hamlet’ to every country in the world.” No doubt even crazier cultural ideas have been proposed, but this one is crazy enough to rank near the top of anyone’s list. Yet it came to pass. An intrepid company of 12 actors and four stage managers, backed up by a London-based staff that undertook the formidable task of organizing the venues, obtaining the visas and booking the frenetic travel, set out in April 2014, the 450th anniversary of Shakespeare’s birth. They did not quite succeed in bringing the tragedy to every country — North Korea, Syria and a small handful of others eluded them — but they came pretty close. One hundred ninety countries and a series of refugee camps later, the tour reached its end in April 2016, the 400th anniversary of Shakespeare’s death.