(Ben Brantley’s article appeared in The New York Times, 2/16; via Pam Green.)

Fear festers, burrows and blooms in Caryl Churchill’s “Escaped Alone,” a short and wondrous play that plumbs the depths of 21st-century terrors, large and small. These range from the eccentrically personal (as in being uncomfortable around cats) to the sweepingly historic — as in, well, the end of the world as we know it.

Now if you yourself are in an apprehensive state of mind these days (and I’d wager, somehow, that you are), you might think a show about what scares people would be the last thing you’d want as entertainment. Yet this British import, which runs through Feb. 26 at the Harvey Theater of the Brooklyn Academy of Music, has the effect of a restorative tonic, and you may find a new bounce in your step as you leave it.

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