(via John Wyszniewski, Blake Zidell)

From February 14-March 13, Playhouse Creatures Theatre Company will present Tennessee Williams 1982, an evening of two, little known, one-act plays by Tennessee Williams, both completed in 1982, the year before the playwrights death. Directed by Cosmin Chivu (2013 revival of Tennessee Williams’ The Mutilated), Tennessee Williams 1982 features the world premiere of A Recluse and His Guest and New York Premiere of The Remarkable Rooming-House of Mme. Le Monde. These two chamber pieces epitomize the theatrical imagination the playwright employed throughout his long writing career combined with the freedom he found later in life. Crisply written black comedies, these fierce plays center on the demands of unlikely human relationships in exotic locales fraught with tension. PLAYHOUSE CREATURES THEATRE COMPANY PRESENTS TENNESSEE WILLIAMS 1982, FEBRUARY 14–MARCH 13

World Premiere of A Recluse and His Guest and New York Premiere of The Remarkable Rooming-House of Mme. Le Monde are Directed by Cosmin Chivu

Kate Skinner Leads Ensemble Cast

Playhouse Creatures Theatre Company Presents Tennessee Williams 1982 Directed by Cosmin Chivu Preview Performances: February 14–16, 18–20 at 7:30pm Opening: Sunday, February 21 at 7pm Regular Performances: February 24–28, March 2-6, 9-13 at 7:30pm; February 27, March 5, 12 at 3pm

Walkerspace (46 Walker Street, Manhattan) Tickets: $40 general, $50 premium playhousecreatures.org; 800.838.3006 90 minutes with one intermission

“The world is accident prone, no use attempting correction. After all, the loss of one fool makes room for another. A superabundance of them must be somehow avoided if at all possible now.” – Tennessee Williams in The Remarkable Rooming-House of Mme. Le Monde, 1982 Playhouse Creatures Theatre Company (Producing Artistic Director Joseph W. Rodriguez) presents Tennessee Williams 1982, an evening of two, little known, one-act plays by Tennessee Williams, both completed in 1982, the year before the playwrights death. Directed by Cosmin Chivu (2013 revival of Tennessee Williams’ The Mutilated), Tennessee Williams 1982 features the world premiere of A Recluse and His Guest and New York Premiere of The Remarkable Rooming-House of Mme. Le Monde. These two chamber pieces epitomize the theatrical imagination the playwright employed throughout his long writing career combined with the freedom he found later in life. Crisply written black comedies, these fierce plays center on the demands of unlikely human relationships in exotic locales fraught with tension.

“The vital truths Williams’ reveals in these two one-acts are still present in raw and essential ways,” says director Chivu. “In fact, more that 30 years later, the plays feel more potent than ever—the compassion, the poetic fire, and the heartbreaking vision of American’s greatest playwright speak loudly in these compact works.”

Kate Skinner (The Graduate) will lead the ensemble cast, which will be announced at a later date, along with the design team.

In the world premiere of A Recluse and His Guest, we meet a tall person of indeterminate gender—who, we later discover, is a woman named Nevrika. She has walked all winter through the Midnight Forest to a fictional town in a mythical, cold, northern country. In this poignant fable, it is her destiny to always move forward, never back. Looking for someone in the town to care for, she finds a miserable little creature named, Ott. He is the Recluse and she is the Guest who transforms him into a more-human human being, at least for a while. Making its New York premiere, The Remarkable Rooming-House of Mme. Le Monde is a black comedy steeped in the brutal and the fantastic. Using acutely direct, comic, and unflinching action, Williams gives us a theatrical preview of the world we live in now. His vision is filled with humility for those who suffer while highlighting the greed of those who withhold sustenance along with our growing fetish for money and violence, both emotional and physical. However, Williams does offer hope: to recognize ourselves in a world where the “have-nots” are unfairly blamed for the inequities of the world because they are “accident prone.”

Performances of Tennessee Williams 1982 will take place February 14–March 13 (see schedule above) at Walkerspace (46 Walker Street, Manhattan). Critics are welcome as of Thursday, February 18 for an official opening of Sunday, February 21 at 7pm. The running time is 90 minutes with one intermission. Tickets, priced at $40 for general admission and $50 for premium seats, can be purchased by visiting playhousecreatures.org or by calling 800.838.3006.

The creative team includes Joseph W. Rodriguez (Producing Artistic Director, Playhouse Creatures Theatre Company), Thomas Keith (Creative Producer), Olivia D’Ambrosio (Managing Director, Playhouse Creatures Theatre Company), Dana Greenfield (Associate Director) and Scott Davis (Assistant Director).

About the Artists

Cosmin Chivu (director) is a Romanian-born theater artist, currently based in New York City, with an international career of award-winning productions. He has directed over 50 professional and university productions in America, Austria, England, Germany, Greece, Italy, Romania and Thailand, most recently Beautiful Province by Clarence Coo (LCT3), winner of the 2012 Yale New Drama Series, Something Cloudy Something Clear by Tennessee Williams at The Provincetown Tennessee Williams Theater Festival, a staged reading of Our Class by Tadeusz Slobodzianek at The Temple Emanu-El, Skirball Center, and the Off Broadway revival of Tennessee Williams’ The Mutilated starring Mink Stole and Penny Arcade, which was nominated for a Drama League Award for Best Revival in 2013. Chivu is a lifetime member of the Actors Studio, a member of the Lincoln Center Directors Lab, an alumnus of the Old Globe's Jack O’Brien fellowship and the founder of InterArt Theatre Group. Chivu is currently the Head of B.A. Acting/Directing Program, International Performance Ensemble at Pace University Performing Arts in New York City. He holds a Masters in Directing from the Actors Studio Drama School, New School University, NYC and a B.A. in Acting from the G. Enescu Art Academy, Romania. Visit cosminchivu.com to learn more.

Kate Skinner (Mme. Le Monde / Nevrika) has starred on Broadway in The Graduate and Uncle Vanya (with Tom Courtenay). Off-Broadway credits include Honey Brown Eyes, The Mapmaker’s Sorrow, Ashes to Ashes, and Marvin’s Room. National Tours include Lend Me A Tenor and The Graduate. Most recent regional credits include All My Sons (Swine Palace), Henry IV Parts 1 & 2 with Stacy Keach (Shakespeare Theatre), Other Dessert Cities (Pioneer Theatre), Boeing Boeing (Engeman Theatre), Doubt & Agnes of God (ATC/Chicago), The Alchemist (Shakespeare Theatre), Noises Off (Denver Center Theatre), Uncle Vanya with Peter Dinklage (Bard SummerScape), Rabbit Hole (Cleveland Playhouse), Who’s Afraid of Virginia Woolf (Shakespeare Santa Cruz/Syracuse Stage) and Ah, Wilderness! (Guthrie Theatre). Her TV & film credits include The Affair, Unforgettable, Blue Bloods, all versions of Law & Order numerous times, several soap operas, Mona Lisa Smile, The Rage: Carrie II and Down The Shore (opposite James Gandolfini). She is married to author/actor Ron McLarty.

About Playhouse Creatures Theatre Company Playhouse Creatures Theatre Company was launched in December of 2009 with a production of Patrick Marber’s Closer. Since then, PCTC has produced six mainstage shows, including The Libertine, (2010 and 2013), Lovesong (2012), and Hunter/Gatherers (2015); five new works series; five staged readings, including John Guare’s More Stars Than There Are in Heaven (2015); and an annual Tennessee Williams Festival (since 2013). PCTC gives back to the community with free “Little Creatures Act Out” camps and workshops for children, free readings and tickets to PCTC shows for seniors, and a bi-annual Red Cross blood drive. www.playhousecreatures.org, @PlayCreatures

Press contact: John Wyszniewski or Blake Zidell at Blake Zidell & Associates: 718.643.9052, john@blakezidell.com or blake@blakezidell.com.

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