(Michael Billington’s article appeared in the Guardian, 9/14.)

You could hardly have a greater contrast than with Nicole Kidman’s last appearance on the London stage. In David Hare’s The Blue Room (1998) she played 10 starkly revealing women in a sexual daisy-chain. Now she plays the scientist Rosalind Franklin who eschewed intimate relationships and whose vital contribution to uncovering the structure of DNA has been marginalised. It’s a commanding, intelligent performance and my only complaint about Anna Ziegler’s intriguing, informative 95-minute play is that it is not longer.

http://www.theguardian.com/stage/2015/sep/14/nicole-kidman-photograph-51-noel-coward-theatre-rosalind-franklin-review

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