(Ben Brantley’s article appeared in The New York Times, 10/20.)

The basic strategy is as simple as it is devastating: Go ahead, open up that sealed room; let some light into the darkness. Then watch helplessly as the darkness devours the light.

That’s the operating theory behind the TR Warszawa company’s stunning reinvention of “4:48 Psychosis,” Sarah Kane’s sustained suicide note of a play, which opened on Sunday night at St. Ann’s Warehouse in Brooklyn.

As adapted and directed by Grzegorz Jarzyna, this Polish-language (and language-transcending) production ropes its audience into unconditional engagement with a baleful, private spectacle of self-destruction. “See me,” says its unnamed heroine, fully and unflinchingly embodied by the brilliant Magdalena Cielecka. “Touch me.” The words are a taunt, since she is so far beyond our reach.


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