(Lyn Gardner’s speech ran in the Guardian, 10/23.)
It often feels as if every review or article about children's theatre represents a tiny triumph. It is a tiny triumph, over the kind of outmoded and ignorant thinking that dismisses work for children and ignores it on the grounds that children's theatre is not worth reviewing, that somehow something intended for children cannot possibly be of the same worth as a Tom Stoppard play or King Lear. What rot.
As someone who has dipped my toe into writing novels for children, I'm still astonished by how many well-meaning but misguided people ask: "So when are you going to write a proper grownup novel?", as if writing for children – surely the most challenging of all audiences – counts for nothing. Just as children's literature of the last 15 years has flourished, so theatre for young people has often not just matched theatre for adult audiences but often surpassed it.