(Charles Isherwood’s article appeared in The New York Times, 5/20.)

We are all embarked upon a strange, aimless journey from nowhere to nowhere — or to put it a bit more cheerily, from somewhere to somewhere else — according to the friendly sojourner in Will Eno’s “Title and Deed,” a haunting and often fiercely funny meditation on life as a state of permanent exile, performed by the marvelous Irish actor Conor Lovett.


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