(Feingold’s article appeared in the Village Voice, 2/29.)

It's an absurdly beautiful world you walk into when seeing Bertolt Brecht's Galileo at Classic Stage Company. Set designer Adrianne Lobel has hung the high-ceilinged space with huge, silvery spheres, suggesting a universe that builds its planets from giant balls of recycled aluminum foil. Lighting designer Justin Townsend streaks it with broad bands of whiteness and circles of glowing pastels; Jan Hartley's projections litter the surrounding walls with pinpoint stars. The sound score, by Christian Frederickson and Ryan Rumery, makes the place throb with electronic thrums and tinklings—a literal music of the spheres.


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