(Michael Billington’s article appeared in the Guardian, 9/1.)

Alexi Kaye Campbell has previously written two impressive plays, The Pride and Apologia, about the way gay rights and feminism have lost something of their initial idealism. Now he has gone for the big one: a three-act play about the conflict between faith and the free market in the modern world. And, although the piece occasionally meanders, I admire it for its expansive ambition and largeness of spirit.

http://www.guardian.co.uk/stage/2011/sep/01/the-faith-machine-review

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