(Mark Fisher’s article appeared in the Guardian, 12/8.)
If there's a rule to be broken about family-centred theatre, playwright Chris Hannan breaks it. His brilliant version of the Alexandre Dumas stories is rude, anarchic, witty, intelligent, irreligious and coarse – the more so in Dominic Hill's production, designed by Colin Richmond to look like a scene of plague-ridden theatrical dilapidation in sore need of a good revolution.
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