(Luke Jennings’s article appeared in the Observer, 9/12.)
In the tangled narrative of 20th century art, there is no more colourful or influential figure than Sergei Pavlovich Diaghilev. The son of a bankrupt Russian vodka distiller, Diaghilev would reinvent himself as the greatest impresario of all time, conquering first Europe and then the world with the Ballets Russes. This was more than just a dance company; it was a creative movement which, from its inception, drew to itself the greatest musical, theatrical and artistic talents of the day.
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