Michael Feingold's article appeared in The Village Voice, September 1.)
My recent comments on criticism's tenuous position in our increasingly Web-woven world ("Theater Criticism Reconfigured," Voice, August 12) provoked many responses from an unexpected area. I had suggested in the article that Broadway, as it stands, migh not be a theater critic's primary focus of interest, and that the Tony Awards, which glorify Broadway achievements, might not be worth taking all that seriously. To my amazement, I heard from a fair number of notables who had benefited from both Broadway success and the Tonys' prestige. And they all seemed to agree with me that criticism is neither irrelevant to the theater nor fused with it in eternal love-hate, and that the Tonys had perhaps lost some credibility by choosing to drop the press from their voting roster.